“You can own half the city by scribbling your name over it.”

-Banksy

In Washington, D.C., the most accessible art form isn’t in the museums, it’s on the metro. And nowhere within the city’s transit system can you see more art on the walls than on the red line train between Union Station and Silver Spring. For years, the ride along this section of the red line has showcased various works done illegally by graffiti writers. Big, colorful, boisterous tags advertising the names of unknown assailants. And now, with the development of the Metropolitan-Branch Trail, an outdoor path that runs along the red line, commissioned murals have begun to emerge within this storied graffiti space.

How do everyday commuters interact with these sanctioned works of art versus those done illegally? And, what significance does graffiti have in the context of the D.C. metro? The Red Line D.C. Project is about what happens when public space, public art and public transportation intersect.

THE FILM | THE ISSUES | THE PROJECT | THE PEOPLE

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2 thoughts on “

  1. Congratulations on your fascinating and worthy exploration of graffiti in DC. I wonder if you are familiar with the interactive film made by eight filmmakers about graffiti in eight worldwide cities called “Defense d’Afficher”. Last year on a trip to Paris I met the woman who made the segment of this film in Nairobi, Eva Munyiri, who at that time worked in a bookstore in Paris. She has studied graffiti in several countries. The film is available with an English translation at http://www.francetv.fr/defense-d-afficher/en. I look forward to seeing your film.

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