It’s Magic Monday!
After four years of blood, sweat and spray paint, we’re finally premiering our short documentary,
SEE / LINE, this Saturday, November 1st at the Angelika Pop-Up Film Center in Northeast, D.C.
Join director/producer Saaret Yoseph for a first look at the film.
But don’t forget to register! The event is RSVP only and seating is limited.
All editing and no play makes Red Line D. C. a dull project, so luckily there’s a silver lining up ahead. Next month we’ll be screening new footage and discussing the final phase of our efforts at two upcoming events. The first, on Saturday, October 13th, (7pm) will be hosted by neighborhood initiative DeanwoodxDesign. The second, a collaboration between human resource-hub Knowledge Commons and BloomBars, a community arts space in Columbia Heights, will be held the following week on Saturday, October 20th (12-2pm).
Respectively, these three awesome organizations are breathing new offline life to Red Line D.C. We’ll be showing unseen footage from the two-part film and both events will feature live discussion with Saaret Yoseph, the documentary’s director and producer. Yoseph will talk about post-production progress and plans for release, as well as the stakes behind Red Line D. C. and the 3-year process that led to this point in the project.
Oh, and in case you missed it last week, Yoseph did a guest spot on WAMU‘s The Kojo Nnamdi Show. She was included in an episode about public art and graffiti alongside a couple Red Line D. C. interviewees, including art director Cory Stowers and Nancee Lyons from the Department of Public Works. The lively chat should hold you over if you’re in need of a little Red line action until we see you next month.
But in the meantime, check back for more event details and project updates.
There’s nothing like an 80’s classic to kickoff the week. And, folks, it doesn’t get more “I Love the 80’s” than Ghostbusters. This retro single from the film’s soundtrack is our subtle way of signaling the last #redlinedc event of the summer. Come Wednesday, we’ll be wrapping things up right, with an outdoor screening near New York Avenue metro station.
Before featuring that ghostly, cult comedy, our partners at NoMa will show a rough cut version of See Something, Say Something, the first installment of our two-part documentary. We can’t think of a better way to wind down our events and amp up our online fundraising than a screening that’s smack dab on the Red line.
So, come join us on the grass and get cozy … It’s nearly showtime.
Nothing starts the week off right like good news. And ours offers something to look forward to this Friday: A sneak peek of Red Line D.C. On June 15th, from 6-9 p.m., director and producer Saaret Yoseph will be screening footage, photos and snippets from the documentary at Ras Restaurant & Lounge. Join us for happy hour drinks and discussion. Find us on Facebook or follow us on Twitter for event updates and information.
Hope to see you then!
The Red Line’s Nerdy Side
It isn’t easy explaining all the moving parts of Red Line D.C., but director and producer Saaret Yoseph did her best last week. Presenting in front of faculty at Georgetown University, she defended the research and remixing done for the project over the past two years. Saaret discussed the transient elements of graffiti and transit as well as her motivations for exploring the everyday aesthetics of our Red line commute. The event was a marker of Red Line D.C. ‘s progress and a milestone in her graduate career in the Communication, Culture & Technology program at Georgetown. If you’re looking for insight on what makes this whole interactive, multimedia project work, get into geek-mode and take a look at this snippet from the presentation:
The Graffiti-Fueled Field Trip
It was a typical Sunday with extraordinary ambition. A small group of strangers convened at Metro Center this past weekend with only their curiosity in common. After a quick exchange of names and pleasantries, they boarded a train toward Glenmont and gave little thought to the destination. This was an afternoon commute that was all about the journey; an art-filled event steeped in the metro experience. And of course, Red Line D.C. was along for the ride.
The event, hosted by Knowledge Commons DC, was a part of the metro poetry series, Slam the Rails. In last weekend’s session, Joseph Ross shared poetry inspired by the work of graffiti writer Cool Disco Dan. As the the last car of the train ascended out of the tunnel and above ground, Ross began his reading. Attendees (and unsuspecting riders) took in the names and sights of the red line–some even for the first time! After a couple of unexpected stops along the way, the ride ended at Takoma station, where participants were invited to reflect on the ride and its surrounding graffiti.
Check out the flicks from our graffiti-fueled field trip!
Back to D.C., Back on the Grind!
It’s manic Monday and we’re starting the week off with a bang! Tomorrow’s “Art of Vandalism” event is guaranteed to be a good time and a great discussion. (Have you RSVP’ed, yet?) So, as we get in gear for Tuesday night, featured panelist, graffiti writer and guest blogger Tim Conlon recounts his personal history with the spray can-sport. Check it out …
As of this year, I have been painting graffiti for over half of my life. It may seem fleeting to have spent so much time on such temporary work, but graffiti has held a permanent design in the person I am, my life experiences, and the people that I keep close to me. I started painting in Baltimore in the early 90’s and it quickly consumed all other interests — like any addiction. I spent countless hours in dangerous neighborhoods and train yards in some of the worst parts of that city. Besides carrying my paint cans, I carried a singular goal: to put aside day-to-day anxieties and just paint. It didn’t matter to me if it was a tag or a piece. The end result was having the satisfaction that I created something for myself in adverse conditions. To me, graffiti is all about problem solving: “How do I get to that particular spot to paint, how should I chose my colors this time, how do I make this particular letter connection work for this piece, and how do I get myself out of this situation?”
Taking a break from real world problems gave me time to think through those issues, while I was quietly painting in the dark. I have risked my life quite a few times to paint graffiti, but the twisted truth is that that graffiti has consistently been my lifesaver.
— Tim Conlon